About - Photographer John Palmer

In 1986, I began my social and artistic journey: to foster a deeper understanding of China through the universal language of photography. Much of the world’s most populous nation remains rural, and its historically insular society continues to intrigue many Western observers. Yet China’s rapid expansion, urbanization, and drive toward modernization are giving rise to a new China, one that embraces the cultural and economic benefits of capitalism, even as political differences persist.

Artist Statement

Documentary photography serves as my bridge between truth and artistry, a means to reveal authenticity and beauty through both film and digital media. I believe that observation and expression coexist, allowing reality and creativity to shape each frame.

My process is intentional and selective. I choose to photograph only when I sense a deep connection to the subject and its environment. My aim is to merge the subject’s essence with my own perspective, creating images that are both emotionally compelling and visually distinctive.

This philosophy shapes my long-term projects in China, where I have documented disappearing traditions, rural life, urban development, and portraits of Feminist/Gender Studies during social and political change. Rather than a purely journalistic approach, I strive to capture not only visible realities but also the underlying emotions.

Through this approach, I aspire to produce photographs that elevate reality, inform, provoke reflection, and stand the test of time.

1986 – Present

Senior Photographer, Interpretation and Education Division

Produced over 7,000+ photographs of California State Parks.

For over twenty years, the park system lacked photographic documentation. I was entrusted with a substantial budget and assigned the responsibility of revitalizing the entire photographic collection through photographing, updating, archiving, and cataloging its contents.

My responsibilities included executing photographic assignments for park units with a wide range of objectives: brochures, interpretive panels and programs, exhibits, calendars, posters, newsletters, magazines, presentations, and reports. The shoot list encompassed landscapes, historic structures and sites, visitors, staff, and wildlife, and was coordinated with Superintendents, Rangers, Interpreters, park staff, and the Publications Unit.