In 2003, a mural artist’s studio in Shanghai presents a carefully composed arrangement: a toilet painted with a fishbowl motif, placed behind a wall mural featuring a classical statue and an open door. The objects are positioned deliberately rather than incidentally.

I added a wooden chair to match the photograph titled '2000 Ming Chairs, Zhujiajiao,' thereby establishing a visual correlation between the images. Collectively, the toilet and chair transform ordinary fixtures into an elegant arrangement, embodying humor, reference, and coherence across the two works.