In 2000, two Ming-style wooden chairs were positioned against a whitewashed wall in Zhujiajiao, a historic water town near Shanghai. A small table stands between them, with framed prints displayed overhead, creating a balanced, symmetrical arrangement shaped by tradition and functional considerations.

The photograph emphasizes proportion, repetition, and negative space. Architectural beams, worn flooring, and minimalist furnishings together exemplify an interior that privileges continuity over display, where objects are valued for their form, function, and durability.