In 2000, two Ming-style wooden chairs were placed against a whitewashed wall in Zhujiajiao, a historic water town near Shanghai. A small table stands between them, with framed prints displayed above, creating a balanced arrangement shaped by tradition and practical use.

The photograph emphasizes proportion, repetition, and negative space. Architectural beams, worn flooring, and minimal furnishings together create an interior that favors continuity over display, where objects are valued for their form, function, and durability.